The Rayographs: advance tracks

July 2nd, 2009 | Posted in indie

Here at Fairtilizer HQ we love The Rayographs. For their first single they answered our questions and made us a great mix that you could find here.
For the second one you could play it and enjoy it! With influences from Nick Cave, The Breeders and 60s Psychedelic bands like The 13th Floor Elevators, the two new tracks are perfect for a hot summer night.
The single is out on July 20th on a sexy limited to 500 copies 7″ vinyl and is also available on digital format.

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credit photo: Tom Elkins www.coldframe.net

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credit photo: Tom Elkins www.coldframe.net

Catch them live at the following dates:
12 July – The Gate in Cardiff with A Hawk and a Hacksaw
15 July- Radio Session on “The Other Woman” show, 7pm,on Resonance 104.4 FM http://resonancefm.com/
21 July – White Heat at Madame Jo Jo’s London - Single launch party with Grave With
No Name and The Big Pink (DJ set).
30 July – The Gramaphone in London with El Gran Chufle and The Oscillation.

For more info please check
http://www.myspace.com/everyoneweknow
http://www.myspace.com/therayographs

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the-rayographs-francis-front-cover

Moveis Coloniais de Acaju: interview

July 1st, 2009 | Posted in indie

Coming from Brasilia, Moveis Coloniais de Acaju is a big Big Band performing ska with Brazilian and Eastern European influences.They have just released their second album “C_MPL_TE”. Interview below with their saxophonist, Esdras.

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Hi Moveis Coloniais de Acaju, what are you up to at the moment?
We are spreading our new album. Be able to play those songs and have a positive answer of the public is being great.

What is Moveis Coloniais de Acaju about, can you introduce yourself to our readers?
We are a band of nine musicians and one producer and we meet to play. We have on economist, biologists, advertiser, designers, journalists, anthropologist and two graduated in music. Slowly, the profession became hobby and the hobby our profession. It exists a great pleasure of being together, and the result of this union cane be felt in our new album, “C_MPL_TE”.

What’s your new release about, future projects?
The new album is about the relation between us and the public, about the composing process which everyone were compositors, nothing belongs just one, and everything can be shared, and also about everyday life.

Our project for the moment is doing concerts and spread our new album. For the moment, this new album is our priority, but in the end of this year we’ll have the XI edition of ‘Moveis Convida’ (Moveis invite), our festival here in Brasilia.

How’s the scene in Brasilia?
It’s quite promising. Brasilia lives very well with the diversity, it’s a characteristic of the city. We have the ‘GoG’ from hip-hop, ‘Elle Oléria’ from Brazilian soul, ‘Lafusa’, ‘Velhos e Usados’, Bois de Gerião’, The Pró, of the Brasilia’s rock scene, ‘Lucy and the Popsonicos’ which are traveling all over the world. There’s also a very good group doing instrumental music, like ‘Trio Cai Dentro’, ‘Ademir Junior’ and others…. Thanks for the diversity!

Places to go to when on holiday in your city?
Go to ‘Beirute’, we recommend also the ‘Kiberovo’.

We are in a difficult time for the music industry: how do you see the future for it?
The musical market is in constantly changes, I think the future is going to be promising. Nowadays is much easier to record an album, to spread, you just have to have a good work and dedicate a few time on the internet, and the album can arrive to people all over the world. It’s not easy, you have the effort, but it’s a lot less restricting than before.

How is internet important for you today and how do you see it evolving in the coming years?
The internet is very important for us, we spread our material in our site, and the now album is available in the Virtual Album of Trama (http://albumvirtual.trama.uol.com.br/). In the future we hope continue playing and being happy, continuing composing, working with the same friends and of course, making enough money to live well.

We are in a world with a lot of different models on the net regarding music (free streaming, digital stores, mobile, collector vinyl etc.): What kind of service should be brought to the table?
I think that each one find the best way to spread your work, and more involvement with these models, better.

As an artist how do you use the web today, what would be the ultimate one stop place for all your digital needs (private and public)?
I say it’s: Album Virtual of Trama and the site of Trama itself. It worth it search them, there’s a lot of good stuff.

What are you currently listening to and recommand?
The Accidental is a very cool bands, Miranda (a friend) showed us a lot of good things in this record process. A lot of things for real! This band I knew by him, and I recommend.

Typical tasty Moveis’s Joke to end?
We film a lot of things in our daily life, and posting on Youtube and on our site, and we have a lot’s of ‘internal’ jokes, the movies prove it.

Sadly they are all in Portuguese…

Visit Moveis Coloniais de Acaju website

VIDEOS:


This one was made in the pre production of the album.
Note the DESESPERADO face that some have: we had to finish two songs
and the next week go to São Paulo to start recording.


This is André (singer) recording. Please watch until the end, it worth it.

These movies were used to “Convida X” recording.
(Convida is the festival that we do every year in Brasilia).

Brakes: playlist and interview

June 29th, 2009 | Posted in indie

Brighton’s country-punk combo Brakes have just released their third album “Touchdown” on FatCat Records. It’s about falling in love against a background of conspiracy theories. Check out their playlist and the bonus interview below:

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Interview:

Hello, What’s your new release “Touchdown” about?
It’s about 40 minutes long. Hah hah hah. Our new album is about falling in love against a background of conspiracy theories.

What’s goin’ on in Brakes’s world right now?
Right now we’re traveling from Zurich to Munich in a van, listening to an old 60s band called Gong. They are psychedelic excellence. It is sunny and we are happy. We played a good show last night, a small, sweaty show.

What are you currently listening to? What are your all-time Top 10 albums?
Yesterday was a long drive, so we listened to: The Voluntary Butler Scheme, The Minutemen, Gong, Lightening Hopkins, Sunn o))), Silver Sun Pickups, Teenage Fanclub, The Four Tops, Cheryl Crow, The Buzzcocks, Cabaret Voltaire, as well as traffic news. Right at the moment we are listening to an old 90s band called Silver Sun. All time top ten? That is very difficult. It would have to include Blood On The Tracks by Dylan and Some Kind Of Blue by John Coltrane. And maybe Ghostbusters Theme by Ray Parker Junior.

How is the scene in Brighton at the moment? Any good new bands to look for?
It has changed since we were starting out.
Just walking around the residential streets you realize that it is a very musical city- you can usually hear someone practicing drums or bass or making house music. There are some great bands- an indiepop band called Foxes, a weird psychedelic band called Restless List, a genius guitar band called Vile Imbeciles. There’s still a feeling that you can do whatever you think sounds good.

How and when did Brakes start?
We started in 2002, I (Eamon) was singing punk songs on an acoustic, and Tom, Alex and Marc said that the songs would sound better with a band. As soon as we got to a rehearsal space and started up, we knew it sounded good.

How would you define your sound?
Country-punk.

Influences?
The Jesus and Mary Chain, Pixies, Ween, Little Richard, King Khan and The Shrines.

You are releasing your new album in a difficult moment for the music industry: does it affect you? How do you see the future of this industry? Is it easier to be in a band now with the access to a cheaper and more effective technology?
It is a difficult time for everybody I think. People aren’t going out to concerts anymore, which is putting lots of promoters under, and as most people download their music, the labels are going under as well. Anyone going into music thinking they will make more than their rent and a bit of food every month are sadly deluded- to even make your rent is lucky enough. As for the future, I think it will be artistically bleak.The only music that will be promoted will be the huge acts that will be guaranteed to sell- Lady Ga Ga, The Pussycat Dolls, Miley Cyrus. There will be no “alternative” music released as it too big a gamble. Radio will become a bland background noise and small venues will shut down. The only music available on the internet will be idiot bands who will have had no guidance or been taught how to record themselves, and they will sound shit. Music made by artists will die, and only music made by accountants and robot machines will remain. The only ‘bands’ will be those people rich enough to pay for everything themselves, supported by their rich parents, and their music will be shit.

Digital or physical, is there a place for both?
I prefer vinyl, it is a beautiful thing. The shuffle function has destroyed the album, which is bad and good. It means bands can’t get away with filling their albums with terrible tracks, and that every song should stand on its own as a great song, but it also means that concept albums are lost, and the track listing a band takes so much trouble about is also meaningless.

How important is the internet for you as a band? Is it something you are into or you don’t give a fuck?
It is good to keep in contact with everyone who likes our music. But it is annoying when online journalists who can’t write for shit upload their press copies of our album for everyone to download for free, a month before it is released. There is nothing we can do about it- there will always be shit journalists who think they are doing something clever by destroying a band’s success.

We are in a world with a lot of different models on the net (free streaming, digital stores, mobile, etc…): what kind of service should be brought to the table? As an artist, what would be the perfect online service?
I think they have found it with Spotify.com- they pay the artists, and the user gets every piece of music they could ever want.

Where do you see this whole internet thing going?
Well, like I said, it will make all music shit.

Visit Brakes Fairtilizer profile
Visit Brakes website
Visit Fat Cat Records website

Playlist:
01 Deerhoof “Believe E.S.P.” from Friend Opportunity (2007, Kill Rock Stars)
02 The Corvairs “True True Love” from True True Love / Hey, Sally Mae (1962, Comet)
03 The Springfields “The Johnson Boys” from Island Of Dreams(1962, Philips)
04 The Chap “Proper Rock” from Mega Breakfast(2008, Lo Recordings/Ghostly International)
05 Wire “The 15th” from 154 (1979, Harvest/Warner Bros)
06 Late Of The Pier “Bathroom Gurgle” from Fantasy Black Channel (2008, EMI)
07 Ween “My Own Bare Hands” from La Cucaracha (2007, Rounder Records)
08 Yo La Tengo “The Race Is On Again” from I Am Not Afraid Of You And I Will Beat Your Ass (2006, Matador)
09 Doom “Gazzillion Ear” from Born Like This (2009, Lex Records)
10 Jeffrey Lewis w/ Jack Lewis & Anders Griffen “Back When I Was 4 from It’s The Ones Who’ve Cracked That The Light Shines Through (2003, Rough Trade)